Wednesday 15 August 2007

Pulp Fiction, Thomas Allen


As far as making books a really interactive form of media, i think Thomas Allen has hit the nail on the head. Thomas Allen's photographs are inspired by his childhood experiences with pop-up books. He begins his process by cutting figures and images out of illustrated pages of old books and vintage fiction novels. Allen then cleverly rearranges and juxtaposes the forms to create three-dimensional scenes. Next, he carefully lights his subjects and photographs the scenes.

When separated from their original stories, the figures take on fresh roles in entirely new situations. Yet they retain their intended purpose of storytelling. Characters and objects originally created as two-dimensional illustrations are raised from their pages and given new life in three-dimensional space. The figures return back to two-dimensional objects, this time in the form of a photograph.

As a director would stage actors, Allen stages his cut-outs in ways that create humor, tension, mystery, and drama. A boxer fights his own shadow in Spar, and in Bookend a gunfighter stands over his recently fallen opponent. Although the characters are freed from the closed pages of books, the books themselves still remain present in each photograph. A turtle and rabbit bounce and crawl over the centre foled of an open book. In Cover, a gunman finds safety behind the spine of a book. And in Recover, a worn paperback acts as a life raft to three weathered shipwreck survivors.

The work combines the humor of children's pop-up books, the nostalgia of dime novels, and the drama of the stage. Allen's inventive and evocative photographs capture characters and events in mid-action. And the viewer is left to wonder what will happen next.

An interesting and unique interpretation of how books can really be brought to life.

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